Tag Archives: Maternity top

Three Maternity Summer Tops

31 Jan

It’s been a super hot week. It  was 42 degrees Celsius today, about the same yesterday, but will go down to 33 degrees tomorrow. I’ve been itching to sew, and thought it would be a good time to make some summer tops to go over the burgeorning bump.

I ran through some designs in my head, and remembered this Vogue Patterns Anna Sui V2850 top which I fell in love with some time ago and decided that it would be perfect converted into a maternity top.

I love the version with the neck flounce. I had a black, loose weave, chiffon-like polyester material in my stash that I bought from Spotlight just for it.

As usual, I drafted my own pattern. Unfortunately, I didn’t take any drafting or construction pictures (it was too hot and I was lazy…) The pattern had to be quick and easy, with lots of room for the baby bump. I didn’t want any darts or closures, so it had to fit over my head easily, but not gape at the neckline. I didn’t really follow the technical stylelines of the Vogue pattern. It was primarily the neck flounce that I wanted to copy.

When I got to work with the fabric, I decided to take it slow, and handsew. It was extremely unstable, stretching everywhere because of its loose weave. The fabric had to be underlined with something, but I didn’t have anything suitable, since the fabric had a bit of stretch. The only thing I had on hand was a red tricot, so I used that. I quite like the effect of the black on the red. The tricot is a bit shiny, but is toned down under the black chiffon, so it looks rather sneakingly snazzy.

It was a good thing I decided to handsew the tricot underlining to the chiffon. It stabilised it, so I was able to eliminate facings on the neckline and armhole. After all the seams were handsewn, I overlocked the edges with a 4-thread overlock. And neck flounce and hemlines are roll hemmed.

This top came together very quickly because there was no darts, no facings, no closures. I’m really pleased with this top. Here’s a couple more views.

I like it with or without the belt. And it looks quite like the Vogue one I think.

Because this one came so easily together, I decided to use up some other fabric in my stash on this same patter, but with different sleeves. My mum had brought over some nice summery fabrics from Malaysia, and I thought they’d be perfect.

I sketched some designs with the same bodice pattern, but with different sleeves, and decided to cut out two garments at once to save time. I made one with a circular sleeve flounce, and one with a triple cap sleeve.

This one is a very light polyester print with a raised texture, similar to a seersucker. I love how the sleeves came out.

The sleeve flounce was roll-hemmed, and the neckline bias-bound.

I used the Banded V-Neck on Woven Fabric technique described in Lynda Maynard’s The Dressmaker’s Handbook of Couture Sewing Techniques. I’ve fallen in love with bias bound finishes. I used to think that it was really hard to cut bias strips out without a rotary cutter and mat, but I actually do them quite well just with scissors. And I also used to think that it was fiddly to bind an opening, compared to sewing in a facing, but I have to say that bias bound finishes are so much neater than a facing, doesn’t flip up, and they just look so good. I’ve been using them on everything lately.

This is the third top I made.

I really like this one too. I’ve been wanting to try out the triple sleeve effect on something. Looks pretty cute. Without the belt, it’s quite casual, but I love both looks. Again, I used self-bias binding on the neckline, and the the lower armhole.

Three tops in a week is my best sewing record to date. I love quick projects! (Ones that turn out all right.)

I’m probably going to make more maternity tops with this pattern, since it’s so easy, and quite the TNT (tried and true) pattern. I’ll just have to think up some different neckline and sleeve treatments to make them all distinctive.

I’m not sure which is my favourite top-Wyld Man can’t decide either. Which one do you like best?

Incidentally, I didn’t finished roll-hemming my black top till after the two others were done. When I did the neck flounce, my overlocker needle broke, and now my overlocker won’t sew properly anymore. Boohoo….I’ll have to send it away for a lookover. Hopefully that won’t take too long and I can get some more tops done soon!

Also, I’m moving blogs soon to www.allthewyldthings.blogspot.com. WordPress is good, but they do restrict Java-based widgets, which I find limiting. Blogger gives you more freedom. I’ll be double-posting here in the mean time while I get the new blog up and moving. It’s not complete yet, but do tell me what you think of the new blog.

Edited on 1/12/2014: I’ve published maternity and nursing patterns on Craftsy! Be sure to check them out!

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White Maternity Top

14 Feb

I had quite a lot of material left over from the white maternity skirt I finished 3 days ago, and decided to make a top to go with it. I also had Wyld Man’s grandma’s 80th birthday party to go to on Saturday, I thought to quickly whip a top up. I started with a sketch.

A sketch of my maternity outfit

Deciding on the style lines of the top

I had to draft this pattern from scratch.  So out came my Aldrich block.

My Winifred Alrich Close Fitting Bodice Block in size 12

I needed to trace off a block on newspaper which I could cut out and move around to determine the style lines.

If you look closely, you will see an orange line above the waist line and below the armhole line-that’s my maternity/empire waistline,  under which I extend the pattern to accomodate a baby bump. Any pattern can be modified to become a maternity pattern. Just determine where the bump starts, and draw a line across-normally 2-3 inches below the bustline.

Getting ready to trace a block. Here, I layer carbon sheets on the bottom facing up, a large piece of newspaper, and the block which I want to trace off.

Laying out my trusty pattern weights.

Here you can just see the faint outline of the bodice I've traced. I'm going to cut it out.

These are the top part of the pattern above the maternity line, cut with princess seams, without seam allowances.

Here I've closed the bust dart with tape and drawn the style lines in red, which I will cut out.

Cutting out the style lines

Here I am determining the length of the back shoulder seam, and drawing the back neckline.

After cutting the style lines, I trace off the pattern pieces on a separate piece of newspaper with seam allowances.

Pattern pieces with seam allowances outlined in red.

Next, the sleeves.

This is my one-piece sleeve block from my Aldrich book without seam allowances. Single noth denotes the front, double notch denotes the back.

I wanted a slightly flared sleeve so…

I slashed the sleeve block to make a flared sleeve, and traced around the sleeve with seam allowances.

I made facings for the front and back neckline-not shown here.

The bottom front and back panels were easy-not much manipulation involved, except for the fact that I extended the front centre line by about 5 inches to gathers. However, I later found that I had made a mistake and only extended the front by 1 inch-AFTER the material had been cut-don’t know how that happened. So instead of gathers like in the sketch, I made an inverted pleat by cutting down the front centre line, and adding in a square of material into it.

Final pattern pieces all cut out.

I decided to make a muslin (test garment) to try out the fit. I only needed to try the top of the blouse, so I cut out the top part of the pattern from an old bedsheet I picked up at an opshop. In hindsight, I should have made a muslin of the whole top, in order to catch the mistake on the front bottom panels where the gathers were supposed to be.

Laying out the pattern on the op shop bedsheet for my muslin.

The cut pattern pieces for the muslin.

I tacked all the important joining points for the muslin-princess seamlines are hard to put together without them.

The finished muslin.

I tried it on and was quite happy with the fit, so I proceeded to cut it out of the white linen.

Laying out pattern pieces on the linen for cutting.

The linen material all cut out.

Tailor tacking all the points and notches to ease of joining all the pieces together EXACTLY.

Now I need to finish the edges of all the cut material.

Overlocking all the edges of the material.

I overlock all edges except the sleeve cap and the necklines on the main garment and the necklines of the facings. This is because the later seams will be enclosed, and the former will have the seam allowances trimmed off and reserged/re-overlocked.

I don’t know what I’d do without my overlocker. For one, I wouldn’t be sewing clothes at all-I’d still be stuck just sewing things like cloth nappies. I hate the look of raw unfinished edges on garments-didn’t see any point attempting to make one at all if I couldn’t finish the insides properly. And I don’t suscribe to the pink and stitch school of things.

Here I've matched tailor tacks between the front top panel with the side panel.

Tailor’s tacks makes joining princess seams sooooo easy. I used to spend ages trying to get the two opposing curves on princess seams to match. This was a cinch.

I've also made little notches on the curves of the princess seams to ease it into the opposing seam.

This is how the front top panel looks pin basted together.

Ironing out the curved seam on a rolled up nappy.

Here I've joined the armhole piece to the front top panel.

At this point, I started joining the bottom extended panel to the top, but realised that there was only 2 inches of excess material for the gathers I had intended. I decided to make an inverted pleat instead of gathers by cutting down the centre front line of the bottom panel, and adding in 10 inches of fabric for an inverted pleat. However, before I did that, I finished making up the back panel pieces.

The back panel pieces.

The 10 inch square of fabric I cut out for the inverted pleat. Had to overlock the edges of that.

This is the finished front piece with the inverted pleat at the bottom

Next, I joined the shoulder seams and the side and back seams together.

Then, the facings.

I joined the neck facings together

Joining the facings to the neckline

Trimming the seam allowances under the facings to reduce bulk-also called grading.

Here, I understitch the facing to the seam allowances to prevent the facings from turning upwards

Next up, the sleeves. Sleeve caps are normally 1-2 cms longer than the armhole length. This requires the excess fabric to be eased into the armhole. This has to be done without puckering, which is easy to do if unfamiliar with the technique outlined below.

Here I make a long running stitch between the notches on my sleeve cap and pull the threads to make a slight gather. This allows me to ease the sleeve into the armhole.

Insert the sleeve into the armhole right sides together. Pin baste from the side seams up and distribute the gathers at the sleeve cap evenly. Pin in small intervals to ensure even easing of the sleeve into the armhole and to prevent puckering.

Sew with the sleeve facing upwards and away from the needle plate.

This prevents puckers from appearing, which is easy to do if the sleeve was facing downwards while you sew it into the armhole.

I’m almost finished!

Pinning up my hem

I’m making a blind hem, which require me to fold the hem twice, once unto the wrong side 5/8 inch up, and then back onto the opposing side, just enough for the overlocked edge to show, just like in the picture.

I use my adjustable blind hem foot and set the machine to do a blindhem stitch.

I give the top a through press.

And I’m finished!

I’ve put both my maternity skirt and the top together for pictures.

Front view

Back view.

My whole outfit

I decided that I needed a belt to break up the white-it looked a bit boring without it. But the top and the skirt are great separates for a mix and match look.

I Have a Plan for a Maternity Top Part 2

28 Jan

Read Part 1 here.

I've cut out my material using my pattern and laid them out.

Here I've used tailor's tacks to mark all the important points.

I’ve only recently discovered tailor’s tacks-and I loved them! (For those new to sewing, tailor’s tacks is a method of marking fabric using double unknotted thread, which is pushed through and back again through the fabric at a marking point, leaving a loop and a tail at opposite sides of the fabric. You then separate the fabric layers which have been tacked, and gently cut the tacking thread in between the fabric layers. This leaves a tail of thread on two or more layers of fabric, at the exact same spot.) I’ve read about them before, but was too lazy to implement it-however, I’ve tried it with my last two projects, taking pains to mark all the points where seams are supposed to join, the centre mark of a pattern, the darts, points where the facing is supposed to join the main garment pieces etc-and I’ve discovered that the time you save not fiddling around in the middle of your sewing time looking for that centre mark or wondering whether the seamlines join exactly on that spot or not is very significant. I just about whizzed through the making of that top because all the points where tacked and I knew immediately where to join it to.

At this point, I serged all the edges of the garment pieces except for the armhole, and sewed the dart on the back and front pieces. I normally make it a point to join all the pieces that make up the whoe front panel, before I do the back panel, leaving out the sleeves. And only then do I join the front panel to the back panel.

Here, I am joining the front belt piece to the front top piece, matching tailor’s tacks.

Joining tailor tack on the front belt piece to the tailor tack on the front top piece

This is what the front top looks like.

Next, I prepare to make gathers on the bottom front panel piece.

Running a long tacking stitch along the bottom front panel for gathering.

Making my gathers.

I wanted the gathers to start and stop between the two dart lines, and had marked the spots where they start with tailor’s tacks to make it easier. You can see above that the gathers are only at the tummy area, and not on the sides.

Joining the bottom gathered panel to the top.

This is what it looks like on the back.

Next came the denim neckband. This was a little challenging. Again, thanks to the work I put in with the tailor’s tacks, doing this became so much easier because I could match the dots on the yellow fabric to the denim without much trouble. I had to clip and notch the inner square corners in the neckline of the yellow fabric to ease in the denim band onto it.

Joining the neck band to the front panel.

Thats all the front panel done. Now I went on to do the back panel.

This is what the back panels look like.

I cut the back panels with a centre back seam, but with a one-piece neckline, planning to put in a zipper at the lower half of the back.

The zipper I planned to use was an invisible zipper I picked up for 50cents from an op shop. I didn’t realize that it was made by YKK, the same company that supplies zippers to Coach-the best.

YKK zipper

I’ve inserted invisble zippers before-but never successfully, because I didn’t realize till later that I needed an invisible zipper foot. So I went and got one last weekend.

My new invisible zipper foot.

I sewed the centre back seam with a regulation stitch length till about 1/3 the length of the back,  and used a long running stitch for the rest of the seam. I pressed that seam open to in order to establish the seam line folds. I removed that running stich, and then pin-basted my zipper onto the the folds of the seamline.

Inserting an invisible zip

I sewed the zipper in with my invisble foot, and was very impressed with the way the zipper just disappeared into the seam. However, after all that work, I realised later that the top was roomy enough to pull my head through without a zipper, so I ripped it out for another project, and just sewing the back centre seam shut.

Next, I joined the back neckband to the centre panel-again, matching the tailor tacks.

Joining the back neckband to the back panel.

Here, I joined the front and back panel pieces at the shoulder seams.

The front and back panel pieces joined at the shoulder seams.

The  next step was to prepare the facings. I joined the front and back neck facings, matching the tacks.

Joining the front and back neck facing

Right sides together, joining the facings to the main garment pieces at the neckline.

Because there were two layers of denim, the neckline was very bulky. I proceeded to grade the seam allowances within the neckline. Grading is a technique of trimming down a seam allowance to a smaller width in order to reduce bulk, especially in facings and collars. I’ve also clipped and notched the inner square corners of the denim neckband to release the excess fabric. This allows it to be turned right side out without bunching up.

Grading the seam allowances. Here you can see the smaller width of the seam allowance which has been trimmed/graded down.

So help the neckline seam allowance to stay under the facing neatly, instead of rolling over, I understitched the facing to the seam allowance.

Understitching the neckline facing to the seam allowance below.

However, neckline facings have a way of misbehaving, in that they are prone to turning up on the right side of the garment instead of staying down. In order to anchor it, I used a stitch-in-the-ditch technique on the neckband-meaning to sew in between seamlines of two pieces of fabric stretched in opposite directions.

Stitching in the ditch. Here, I'm stitchin in between the seam lines of the neckband, catching the facing underneath. This anchors the facing into position.

That’s the front and back panels joined and done. Now for the sleeves.

My sleeve pieces.

Note the tacks on the sleeve cap-2 tacks means the back of the sleeve, 1 tack means the front of the sleeve. It is very important never to mix the two up-or you’ll get a sleeve that doesn’t sit properly, or doesn’t give you enough movement. Also, I’ve tacked spots on the denim cuffs where I’ll insert pleats into the yellow fabric.

Making pleats in my sleeve.

I joined the yellow cotton and the denim rights sides together, and turned the denim cuff under and sewed it together.

Tadaa!!

My two finished sleeves. They look like best friends!

I showed them to the Wyld Man-he thought they were mini caps!

The typical sleeve cap is always 1-2cm longer than the length of the armhole. This is to allow room for the outward curve of the shoulder. However, in order to join the sleeve to the armhole, that 1-2 cm excess fabric has to be EASED into the armhole WITHOUT puckers.  To do that, I make a long running stitch inside the seam allowance of the sleeve cap (between the 2 tailor tacks), and make a slight gather.

Ease stitching the sleeve cap.

Then, right sides together,  I pin baste the sleeve to the armhole.

Pin basting the sleeve to the armhole. The more pins, the better, the less puckers.

Always sew onto the sleeve side, not on the side of the main garment. Although the position of the needle on the main garment is easier, you are more prone to getting puckers if the sleeve is downmost layer on the needle plate.

I do this for both sleeves, and that finishes the garment. Except for the hem.

For the hem, I use my newly discovered adjustable blind hem foot which had lived in my Janome MyStyle 20 all this time, but had never mad an appearance because I only figured out last weekend what it was for!

Adjustable Blind Hem Foot

I love this little foot! It’s a lot better than the regular blind hem foot which has a set width for blind hems. This one however has a screw which adjusts to whatever width you want, making it perfect for topstitching, or close-precision-edgestithing. And I did one of the best blind hems I’ve ever done with this little foot.

And with that done, and with my top pressed, this is what it looks like now.

Front

Back

My maternity outfit!